| dc.identifier.citation | Adi, T. N. (2012). Mengkaji Khalayak Media dengan Metode Penelitian Resepsi. Acta diurnA, Vol 8, No. 1, 26-30. Retrieved from www.komunikasi.unsoed.ac.id/ Ang, I. (2007). Television Fictions Around the World: Melodrama and Ironi in Global Perspective. Critical Studies in Television, 2(2): 18-30. Retrieved from http://www.ingentaconnect.com/content/ manup/ cstv Aubrey, J. S., Elizabeth, M. B., & Click, M. A. (2010). The Romanticitazion of Abstinence: Fan Response to Sexual Restaint in the Twilight Series. Transformative Works and Cultures, no. 5. doi:10.3983/twc.2010.0216 Biagi, S. (2010). Media/Impact: Pengantar Media Massa (Edisi 9). Jakarta: Salemba Humanika. Branston, G., & Stafford, R. (2006). The Media Student‟s Book. New York: Routledge. Chan, B & Xueli, W. (2011). Prince Charming and Male Chauvinist Pigs: Singaporean female viewers and the dream world of Korean Television Dramas. International Journal of Cultural Studies 2011 14: 291. doi: 10.1177/1367877910391868 Finer, L. B. (2007). Trends in Premarital Sex in the United States, 1954-2003. Public Health Report , Vol 122, 73-78. Retrieved from www.ncbi.nlm.nih.gov/pubmed/172366 11 Galician, M. L,. & Merksin, D. L. (2007). Critical thinking about sex, love, and romance in the mass media. Mahwah, New Jersey: Lawrence Erlbaum Associates. Holzner, M. B., & Oetomo, D. (2004). Youth, Sexuality and Sex Education Messages in Indonesia: Issues of Desire and Control Reproductive Health Matters. Vol 12, No 23, 40-49. Retrieved from www.ncbi.nlm.nih.gov/pubmed/152422 09 Marliana, S. D. (2013). Identitas seksualitas remaja dalam film (Analisis semiotika representasi pencarian identitas homoseksual oleh remaja dalam film The Love of Siam). KomuniTi, Vol. V, No. 2, 82-89. Retrivied from http://hdl.handle.net/11617/4501. Martin, J. N., & Nakayama, T. K. (2004). Intercultural Communication in Contexts. New York: McGraw- Hill. Michael, B. (1998). The Male Body in the Western Mind. The Harvard Gay and Lesbian Review No. 28. Retrieved from http://search.proquest.com/docview/198 673638/8605016E4D2440E6PQ/18?acc ountid=34598 Moleong, J. L. (2010). Metode Penelitian Kualitatif: Edisi 7. Bandung: PT. Remaja Rosdakarya. Patterson, O. (1992). Freedom in the making of western culture. London: I.B Tauris & Co Ltd. Piper, M. (2015). Real Body, Fake Person: Recontextualizing Celebrity Bodies in Fandom and Film. Transformative Works and Cultures, no. 20. http://dx.doi.org/10.3983/twc.2015.0664 Rodman, G. (2009). Mass Media In a Changing World: Second Edition. New York: McGraw Hill Samovar, A. L., Porter, E. R., & McDaniel, R. E. (2010). Komunikasi Lintas Budaya (Communication Between Cultures): Edisi 7. Jakarta: Salemba Humanika. Santrock, W. J. (2012). A Topical Approach to Life-Span Development: Sixth Edition. New York: McGraw-Hill Companies. Shrum, L. J., (Eds). 2010. Psikologi Media Entertaiment: Membedah Keampuhan Periklanan Subliminal dan Bujukan yang tak Disadari Konsumen. Yogyakarta: Jalansutra. Sprecher, S., & Hatfield, E. (1996). Premarital Sexual Standards Among U.S College Students: Comparison with Russian and Japanese Students. Archieves of Sexual Behaviour Vol. 25, No.3, 261- 288. Retrieved from www2.hawaii.edu/~elaineh/95.pdf Sukmono, F. G & Junaedi, F. (2014). Komunikasi Multikultur : Melihat Multikulturalisme dalam Genggaman Media. Yogyakarta : Buku Litera. | in_ID |
| dc.description.abstract | Romance is a movie genre which always represents an image of an ideal man and a story that is hyper-realistic. A fictional character is always portrayed as the ideal man in an ideal relationship, convincing female viewers that both are attainable. On the contrary, this fantasy found in movies doesn‟t exist in real life and sometimes lead women viewers to make unrealistic expectations. This research, is aimed at understanding how female Indonesian viewers create images of an ideal Western man and how they are influenced by cultural differences between the East and the West. The analysis reception method was used to discover how viewers interpreted their ideal type. A Focus Group Discussion (FGD) method was used, dividing the nine Indonesian female subjects involved into two groups. The FGD was divided into Focus Group A and B. Focus Group A consists of four women, most of whom are housewives, and Focus Group B which consists of five university students. The research has shown that there are differences in how each group describes their ideal Western man. According to Focus Group A, an ideal man should be mature and have a good job, with materialism being one of the group‟s major concerns. Meanwhile, Focus Group B describes their ideal Western man as a romantic bad boy with material possessions being unimportant. Factors that have led both groups to create this image of their ideal man, include a realization that romance movies are just fantasy, which cannot be found in real life. | in_ID |
