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dc.contributor.authorAl-Ma’ruf, Ali Imron
dc.date.accessioned2014-04-16T08:03:10Z
dc.date.available2014-04-16T08:03:10Z
dc.date.issued2014-01
dc.identifier.citationAl-Ma’ruf, Ali Imron. 2004. Seni Pertunjukan Tradisi dan Pengembangan Pariwisata di Surakarta (Laporan Penelitian Dosen Muda DP3M Ditjen Dikti Depdiknas). Surakarta: Lembaga Penelitian Universitas Muhammadiyah Surakarta. Appadurai, Arjun. 1991. “Global Ethnoscape: Notes and Quenesfor Transnational Anthropology” in, Recapturing Anthropology Working in the Present. Richard G. Fox (Ed.). Santa Fe, New Mexico: School of American Research Press. Bandem, I Made & Murgiyanto, Sal. 1996. Teater Daerah Indonesia. Yogyakarta: Kanisius. Danandjaja, James dalam Sedyawati, Edi & Sapardi Djoko Damono. 2004. Seni dalam Masyarakat Indonesia. Jakarta: Gramedia. Ekstrand, L.H. “Multicultural Education” dalam Saha, Lawrence J. (Eds.). 1997. International Encyclopedia of the Sociology of Education. New York: Pergamon. Garcia, Ricardo L. 1992. Teaching in a Pluralistic Society: Consepts, Models, Strategies. New York: Harper & Row Publisher. Kayam, Umar. 1998. Seni, Tradisi, Masyarakat. Jakarta: Sinar Harapan. Naisbitt, John and Patricia Aburdene. 1990. Ten New Directions for the 1990’s Megatrends 2000. Megatrends Ltd. Santosa, Riyadi. 2014. “Peluang dalam Pengembangan Materi Ajar di Sekolah dalam Kurikulum 2013". Makalah dalam Kuliah Umum Sekolah Pascasarjana Universitas Muhammadiyah Surakarta tanggal 10 Januari 2014. Satoto, Soediro. 1998. Pengkajian Drama. Surakarta: Sebelas Maret University Press. Sedyawati, Edi. 1999. Pertumbuhan Seni Pertunjukan. Jakarta: Sinar Harapan. Soedarsono, R.M. 2004. Pengantar Apresiasi Seni. Jakarta: Balai Pustaka. Toffler, Alvin. 1987. Kejutan Masa Depan. (Terj. Sri Koesdiyantinah). Jakarta: Pantja Simpati. _______. 1990. Pergeseran Kekuasaan (Terj. Hermawan Sulistyo). Jakarta: PT Pantja Simpati.en_US
dc.identifier.issn1907-4034
dc.identifier.urihttp://hdl.handle.net/11617/4414
dc.description.abstractThe purpose of this study are (1) to reactulization theater tradition in the dynamics of modernization, (2) describe the contribution of theater in multicultural education. This research used descriptive qualitative method. Data source is a document, place and tradition of theatrical events, and sources (informants) both expert/critic theater tradition and watcher’s theate. The data collection was done by using literature, observation, and in-depth interviews. The data analysis was done by using content analysis and interactive methods. Research results and the discussion are: (1) (a) cultivating reactualizationed theater traditions in tune with the signs of the times, (b) management should be professional theatrical tradition with modern management principles, (c) the need to bring in staging the stars famous guests in order to become a magnetic power for spectators; (d ) the necessary staging a synergistic cooperation between the manager/worker theatrical tradition with human and relevant institutions, (2) Contributions theater tradition as a medium of socialization and multicultural education are: (a) Theatre tradition can be a synthesis of ideas and media community a taste of traditional (old ) with the idea and taste of modern society because it is elastic, relaxed atmosphere of, for shared and for all, and (b) with a mixture of Indonesian and local languages in dialogue the actors then socialization and multicultural education will take place more easily, and (c) Teaching literature with extra-curricular activities in the “Studio Literature “ and the theatrical tradition is the value of multicultural socialization media for students and young people generally.en_US
dc.publisherLPPM UMSen_US
dc.subjectmulticultural educationen_US
dc.subjectarts traditionen_US
dc.subjectthe re-actualizationen_US
dc.subjectsocializationen_US
dc.titlePendidikan Multikultural Melalui Reaktualisasi Teater Tradisi di Surakartaen_US
dc.typeArticleen_US


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